Selected Hollywood films that may
be used as means for preventing gambling
Abstract
This article
examines how Hollywood films depict gambling and the messages these portrayals
convey. Ten representative films were reviewed to identify gambling methods,
narrative framing, and implicit attitudes toward risk, skill, and addiction.
Findings indicate that films fall into three primary categories: (1) cautionary
portrayals highlighting addiction, debt, and personal or social consequences;
(2) glamorized or stylized depictions emphasizing skill, charisma, or
high-stakes excitement; and (3) metaphorical or mixed portrayals combining
agency with potential harm. Positive messages include awareness of predatory
practices, the real dangers of compulsive gambling, and the limits of skill-based
immunity, while negative messages involve glamorization, overestimation of
control, and the “one big win” myth. The study suggests that, when used
thoughtfully, Hollywood films can serve as educational tools to promote media
literacy, critical thinking, and discussions about responsible gambling,
particularly among youth.
Hollywood films that depict gambling
Film |
Director |
Year |
Gambling
method (synopsis) |
Attitude
portrayed |
Rounders |
John
Dahl |
1998 |
Underground
Texas hold ’em; a gifted player covers a friend’s debt; high-stakes risk. |
Mostly
unhealthy (addiction, debts, crime) |
Casino |
Martin
Scorsese |
1995 |
Mob-linked
Las Vegas casino operations: skimming, rigging odds, exploitation. |
Unhealthy
(corruption, exploitation, violence) |
The
Cincinnati Kid |
Norman
Jewison |
1965 |
Depression-era
stud poker; young upstart challenges the best in final hand. |
Cautionary
(hubris, fixation on big game) |
21 |
Robert
Luketic |
2008 |
MIT
team beats blackjack with card-counting; glamor then fallout. |
Mixed
→ unhealthy (glamour turns harmful) |
Uncut
Gems |
Josh
& Benny Safdie |
2019 |
Compulsive
sports-betting jeweler; escalating parlay risks and debts. |
Unhealthy
(compulsion, escalating harm) |
Molly’s
Game |
Aaron
Sorkin |
2017 |
True
story of underground poker empire; legal and ethical fallout. |
Mixed
(agency vs. addiction/legal peril) |
The
Gambler |
Karel
Reisz |
1974 |
Professor’s
gambling addiction spirals into loans and danger. |
Unhealthy
(addiction portrait) |
Casino
Royale |
Martin
Campbell |
2006 |
Bond
tries to bankrupt terrorist in poker tournament. |
Stylized/neutral-positive
(glamourized play) |
Maverick |
Richard
Donner |
1994 |
Cardsharp
hustles entry to major draw tournament; comedic tone. |
Light
positive (romanticized cleverness) |
The
Hustler |
Robert
Rossen |
1961 |
Pool
hustling for money; ego and exploitation lead to costs. |
Cautionary
(self-destruction, moral cost) |
Positive vs. Negative Messaging
Positive
/ helpful messages (educational potential):
Gambling
can be predatory and rigged (Casino), prompting critical thinking about
“easy money.”
Addiction
is real and ruinous (Uncut Gems, The Gambler), highlighting the
importance of boundaries and help-seeking.
Skill ≠
immunity (Rounders, The Hustler), emphasizing that even talented
players can face consequences.
Negative
/ harmful messages (subconscious glamorization):
Glamour
+ high stakes = status (Casino Royale, Maverick), which may
normalize risky behavior.
Math
“beats the system” (21), potentially overstating probability success and
downplaying consequences.
The “one
big game” myth (The Cincinnati Kid), suggesting a single win can solve
all problems.
Healthy vs. Unhealthy Attitudes in Films
Healthy
/ neutral-positive framing:
Maverick, Casino Royale, parts of 21.
Cautionary
/ unhealthy framing:
Casino, Rounders, The Gambler, Uncut Gems, The
Hustler, The Cincinnati Kid, later parts of 21.
Hollywood’s Contribution to Fighting Gambling Harm
Hollywood
can indirectly help in gambling harm prevention:
Visualization
of addiction and risk:
Cautionary films like The Gambler and Uncut Gems show the spiral
of debt, compulsion, and personal harm.
Media
literacy lessons:
Films like 21 show glamour turning into consequences, helping viewers
critically analyze cinematic portrayals.
Historical/systemic
context:
Casino demonstrates structural exploitation, helping youth understand
house advantage and mob influence.
Balanced
discussion starter:
Even stylized films (Maverick, Casino Royale) can serve as
springboards for discussions on probability, self-control, and ethical decision-making.
Conclusion
Used
thoughtfully in classrooms or workshops, Hollywood films can enhance awareness
of gambling risks, foster media literacy, and encourage discussion about
responsible behavior among youth.
References
Campbell,
M. (Director). (2006). Casino Royale [Film]. Eon/Columbia Pictures.
Dahl, J.
(Director). (1998). Rounders [Film]. Miramax.
Ebert,
R. (1995, Nov 22). Casino movie review. RogerEbert.com.
Jewison,
N. (Director). (1965). The Cincinnati Kid [Film]. Metro-Goldwyn-Mayer.
Luketic,
R. (Director). (2008). 21 [Film]. Columbia Pictures.
Reisz,
K. (Director). (1974). The Gambler [Film]. Paramount Pictures.
Rossen,
R. (Director). (1961). The Hustler [Film]. 20th Century Fox.
Safdie,
J., & Safdie, B. (Directors). (2019). Uncut Gems [Film]. A24.
Scorsese,
M. (Director). (1995). Casino [Film]. Universal Pictures.
Sorkin,
A. (Director). (2017). Molly’s Game [Film]. STXfilms.
Donner,
R. (Director). (1994). Maverick [Film]. Warner Bros.
Note
This
article was authored by the Greek
Lifesaving Sports Association as part of the Erasmus+ project “Reverse
the Odds” (Project No. 2024-3-DE04-KA210-YOU-000280177) that aims to prevent
gambling among the youth.
Disclaim
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.